I had a pretty busy weekend with two planned excursions and one spontaneous, so I'll try to keep my comments as brief as possible.
First on Saturday was the Tretyakov Gallery (actually, the Russians now call it the Tretyakov State Gallery). This is one of THE places to go to see Russian art. You guys know me, so you know that I'm not really one for the visual arts. However, I am one for GOOD art, and the stuff here was pretty amazing. Unfortunately, our Russian tour guide treated us like native, fluent speakers, which most of us are not, so I didn't get as much information out of this tour as some of the others. I don't really want to talk about the art too much, but with one exception, here are links to my three favorite pieces in the gallery:
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Рожь" Ивана Ивановича Шишкина
("Rye" by Ivan Shishkin)
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Шипка-Шейна"
Василия Василевича Верещагина
("Shishka-Sheina" by Vasilij Vereshchagin)
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Ночь на Днепре" Архила Ивановича Куинджи
("Night on the Dneiper" by Arkhil Kuindzhi)
The fourth, I believe, was also by Vereshchagin, but I can't remember the name and it doesn't seem to be in the online collection for some reason. There was a General standing behind an Orthodox priest in the left foreground. The priest had an incense lamp and was blessing this vast field. The field itself takes up most of the painting and is covered in light shrubbery with bare branches. There is a light dusting of snow on the ground. Barely visible and painted as if to resemble ghosts instead of interred bodies are the corpses of thousands of soldiers, neatly lined up in rows among the light shrubbery. This one was definitely one of my favorites, if not my favorite.
After eating a not-so-great and over-priced lunch in the gallery cafe, we trekked on the Metro to the Novodjevichij Monastery and Cemetery. This is where I entered my first Orthodox Church here other than Christ the Saviour, and I must say that I was blown away. It was the Cathedral of the Virgin of Smolensk (Смоленский собор). The decoration in these things in breathtaking and the churches of Novodjevichij are exceptionally so. However, there was another element to these places that first caught my eye in the Cathedral of the Virgin of Smolensk, which pervaded throughout every other church or monastery building I entered and is the inspiration for the title of today's post.
In Russian, the world кремль (Pronounced "kreml'," although we say "kremlin" in English) means something along the lines of "citadel." "The Kremlin" is simple Moscow's kremlin and all Russian signs for it say "Московский кремль" ("Moscow kremlin"). Every major city has it's own. The other word in the title is "крепость" ("krepost'" - "fortress/defense"). The reason I bring this up is because monasteries here are fortress - mainly for defense against the Mongols. The Donskoj Monastery across the street from me and Novojevichij used to be the Southern outer defenses of the city, which used to be primarily contained in the Kremlin on the opposite bank of the river.
Each monastery has a set of outer walls as fortification, but it's inside that struck me as amazing. Inside the Cathedral of the Virgin of Smolensk I noticed large square holes on the inside of EVERY door. Not just outside doors, but every door. These are so that the doors can be barricaded and the churches fortified in the event of the Mongols breaking through the outer walls. The windows are narrow and very high, like twenty or thirty feet high, and the garrison would build scaffolding during a siege so that they could utilise the windows similarly to murder holes. I was also told of a story where the garrison built an entire second floor near the ceiling where they hid out (these churches are extremely tall usually, in order to accommodate this practice). The Mongols, frustrated that they couldn't reach those hiding up there, lit fires in the sanctuary and suffocated the concealed garrison.
This was not confined to churches either. There is a large building on the monastery, which is now their primary museum. First, it seems that before it was made into a museum, the two floors were not connected - in order to reach the second from the first, it would have been necessary to go outside. Second, there are large holes in the walls, probably 2x3 feet. Third, more barricades.
The barricades basically make it possible to note how important each room was by noting the side of the door the barricade was placed on. For instance, there is an entry hall, and two rooms branch off of it. There is a barricade on the outside door in the room, but the barricades for the other two doors are in the other rooms. Then, through one of these rooms is a fourth room - the barricade for that door is in the fourth room. So, if Mongols break in through the main entrance, the garrison is waiting to fight in the first room. They do a fighting retreat through the second door and blockade it, while continuing to fight through the holes in the walls. The Mongols break through the next door and the garrison does another fighting retreat into the final room, while continuing to fight through the next set of holes. Additionally, there were barricades on the windows and thick inner shutters. Needless to say, the care taken to fortify every possible entry the every part of this monastery completely blew my mind. It's even defended by a bend in the river on three sides, making it a very telling indicator of the terrors of the Golden Horde.
After exploring the monastery, we went to the cemetery nextdoor where many famous Russians of all varieties are buried. Prokofiev, Yeltsin, Kruschev, Scriabin, and (I think) Przhevalsky are all there, just to name a very small fraction. I was only able to see Prokofiev (kind of disappointing and depressing, really) and Yeltsin (by accident - as I said, there are a lot of famous Russians here) because I had to get back home for dinner, but I will be returning and with a camera.
I also need to talk about bribes, but my battery is about to die and this post is already super long, so they'll have to wait for another day.